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Palladio removed

500 years of Palladio, Palladio forgot 500 times. Despite the monumental exhibition in Vicenza, organized in great detail, the greatest architect of the story often lies forgotten, buried under tens certainly not of publications read by administrators or, worse, by the owners of the Venetian Villas. We Bertesina, a suburb of Vicenza, a small farming village where Andrea Palladio in 1540 built one of his early works. Today it lies in a state of semirovina, inhabited by a family of farmers, perhaps for use Capion, have accapparrati 's home. I live a few hundred meters from the villa quetsa that I have ever seen and used as it should be exploited. A few meters from the 'entrance lies the manure, a stock farm of 900' with the 'Sign in and out of tractors, mud and a perennial' excessive appearance of neglect. Despite the brown plaque with the citation of the famous architect, the villa is no longer lived as such. The gate is taken ill, the facade is dirty and worn, you see cracks and peeling of 'plaster. The floor is probably closed, it would cost too warm, the families living in the sides, once reserved for the servants. Between 4400 and passes Venetian villas, the state 's neglect is often constant. In this house I would see a well educated and enlightened family, or a 'professional activities related to' architecture rather than by design. As known in the advertising, I imagine a landscaped garden, skilled musicians who practice and ladies who walk in the frame of a receipt rimaverile.
There are an infinite number of openings is salvation for these works of 'art, everything is in focus and understand that salvation does not come alone, but must be planned and wanted. Simone
Ariot

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long narrow Arab-Cagliari

are often found in small towns of southern Italy, have an 'entry on the national road and the promenade. Houses are side by side, just three meters deep and narrow, difficult to furnish and redistribute. Here we are in Santa Teresa di Riva, Messina, a country not generally appreciated and I live in the three summer months for the return of those who went to seek his fortune elsewhere. Sometimes it happens that those lucky enough to find, decides to give something back, even if only in terms of aesthetics, his birthplace. We are in depandence for the guests of 'Vicenza architect Paolo Costa, adjacent to the Aeolian style villa recuparata and where he lives during the summer months.
Only three feet wide, ten deep, three stories in total. The recovery has been preserved and studied in detail, transforming an 'inhabited dwelling and the low economic value (a few tens of thousands of euro), in a functional unit for guests, with the ability to accommodate up to eight. In the small garden is now used as a cooking dominated by white, a barbeque for grilled swordfish, strictly Messina, a small table and copetura for the sun. The 'grass is beautifully maintained and watered regularly to keep it alive and glowing.

Sometimes just a little, but the country is the only example of architecture recovered, despite the likely incentives and funds for restoration. Simone
Ariot

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Note: when' Do not judge the monaco

Cagliari, historical site: a small house flanked on the latch of the old city. A facade poor, battered, a plaster uncertain. Two windows will probably introduce us to a renovated apartment, you can see beams and a pure white with perhaps a deposit pareti.Al ground floor, first floor apartment. Perhaps the lack of cooperation between the two owners on the division of costs for the painting, perhaps simply do not look to the facade, but only to the content.
form and substance, the two poles of a world in which ' architecture is well represented. I am reminded of the houses in Marrakech, the color of blood, apparently to poor 'external rich interior decorations is dominated by the cleanliness and the sense of' order. Real wealth and not apparent, a sort of opposite of the baroque spirit, but an interesting contrast. I, personally, fantastic in 'imagine' furnishing of this' house, the owners, their travels and their dinners. Much more than I tickle the curiosity in a beautifully restored building facades. Simone
Ariot